A comprehensive textbook covering not only the ordinary theory of the deformation of solids, but also some topics not usually found in textbooks on the subject, such as thermal conduction and viscosity in solids.

Bringing his perennially popular course to the page, Yale University Professor Paul H. Fry offers in this welcome book a guided tour of the main trends in twentieth-century literary theory. At the core of the book's discussion is a series of underlying questions: What is literature, how is it produced, how can it be understood, and what is its purpose? Fry engages with the majo...(展开全部)

Ideologies of Theory, updated and available for the first time in a single volume, brings together theoretical essays that span Fredric Jameson's long career as a critic. They chart a body of work suspended by the twin poles of literary scholarship and politcal history, occupying a space vibrant with the tension between critical exegesis and the Marxist intellectual tradition. ...(展开全部)

Theory of Superconductivity is considered one of the best treatments of the field. This monograph, by Nobel Prize-winning physicist J. Robert Schrieffer, has been reprinted because of its enduring value as an introduction to the theory of superconductivity. Based on a series of lectures presented by the author at the University of Pennsylvania, the fundamentals of the theory of...(展开全部)

The aim of this graduate textbook is to provide a comprehensive advanced course in the theory of statistics covering those topics in estimation, testing, and large sample theory which a graduate student might typically need to learn as preparation for work on a Ph.D. An important strength of this book is that it provides a mathematically rigorous and even-handed account of both...(展开全部)

This classic work offers a concise and comprehensive review of the literature on relativity as of 1921, along with the author's insightful update of later developments in relativity theory and coverage of subsequent controversies. Special attention is given to unified field theories. 1958 edition.

This is the first in a series of books in which one of the most influential of contemporary art theorists revised from within the conceptions underlying the history of art. The author's basic idea is that the rigor of linear perspective cannot encompass all of visual experience and that it could be said to generate an oppositional factor with which it interacts dialectically: t...(展开全部)